01 Kickoff
Game Producer Production · Team Coordination · Playtesting · Documentation
I keep game teams of 2 to 32 people moving: I break work into deliverables, run the standups and playtests, and keep design, engineering and art pointed at the same build. Designer-producer on Lingua Franca, a 32-person team release on Steam, and co-owner of a live-service Unreal Engine 5 product at the University of Utah.
Delhi, India · open to relocation
Backlog
In progress
Playtest
Shipped
02 Productions
Four productions, strongest first. Each opens as a short case study.
Designer-Producer · 32-person team · University of Utah · Aug 2024 – Apr 2025
Helped keep a 32-person team on one design: co-wrote the GDD with every department's leads, created and assigned the design tasks in Trello, owned delivery of 33% of the puzzles, and took about 250 playtest reports into the decision to rebuild the level.
Mar 28 2025
Released on Steam · Mostly Positive
Graphic Software Developer (Production and Design) · one of 2 developers · CHPC · Dec 2023 – Jul 2026
Co-owned a live-service Unreal Engine 5 virtual twin of the university data center, owning feature scope, build releases and stakeholder communication. Planned three platform migrations and tracked releases and blockers in JIRA.
Lead Designer & Producer · 5 students · Whistling Woods · Aug – Dec 2022
Directed a five-student team to ship an Android card game with local multiplayer, managing the content pipeline for 55+ cards and the external UI and VFX artists.
Game Designer & Producer · 3 people · May – Jul 2024 · 8 weeks
Set up the Trello and GitHub pipeline, split big tasks into small deliverables and ran daily standups across design, engineering and art to deliver in a fixed 8-week window. Validated curriculum fit with a teacher and delivered a classroom build.
Smaller and earlier work.
Crateyard · Fortnite
A solo project, from concept to live release. Playtested during development, published in October 2025 and updated from player feedback. Island code 5880-1772-7359, play on Fortnite.
VR FoodTruck · Meta Quest
Producer and level designer on a VR cooking prototype in Unity. Called feature creep mid-cycle and shipped a polished prototype instead.
Nightmare Seekers · Horror prototype
Associate producer on a reverse hide-and-seek prototype made in a 14-day game jam.
03 Playbook
The same loop on every production, with a link to the proof for each step.
Write down what is in, what is out and who owns what before anyone builds.
Data Center: owning feature scopeSplit big goals into small deliverables with a named owner, on a board everyone can see.
Math Apocalypse: Trello and GitHubKeep design, engineering and art on the same page with regular check-ins and written notes.
Lingua Franca: two visions, one levelPut the build in front of players on a schedule and log what confuses them.
About 250 reports triagedTurn feedback into a call: rework, cut or keep, while it is still cheap.
VR FoodTruck: calling feature creepGet it to real players, then keep improving it from what they say.
Lingua Franca on Steam ↗On Math Apocalypse I set up Trello and GitHub, split large tasks into small deliverables and ran daily standups to keep design, engineering and art aligned inside a fixed 8-week window.
The Lingua Franca GDD co-written with every department's leads, meeting documentation, and the guide that let new CHPC teammates add servers on their own.
On VR FoodTruck I called feature creep mid-cycle and shipped a polished prototype. On Lingua Franca the team chose to rework a level drastically once playtests scored it 3.5/10.
04 Toolkit
Self-rated out of 10, with where I used each one.
Trello on Lingua Franca, Trello and GitHub on Math Apocalypse, JIRA for releases and blockers on the data center.
The Lingua Franca GDD, Math Apocalypse playtests and the CricX balance model in Excel.
Unreal on Lingua Franca and the data center, Unity on CricX and Math Apocalypse, UEFN on Crateyard.
Browser delivery of the data center simulation.
05 Profile
I'm a game producer and designer based in Delhi, India. I plan the work, keep teams aligned and get builds in front of players.
I was designer-producer on Lingua Franca, a 32-person team project released on Steam, and I co-owned a live-service Unreal Engine 5 product at the University of Utah's CHPC, owning feature scope, build releases and stakeholder communication. I've worked on teams of 2 to 32 people, published Crateyard on Fortnite on my own, and studied game design in both Mumbai and Salt Lake City.
I'm looking for a team where production and design sit close together, ideally one that tells Indian stories.
Off the clock: horror movies, national parks and road trips.
Across genres and platforms.
06 Experience
2025 · Aug 2023 – May 2025
University of Utah, Division of Games · Salt Lake City, UT
2023 · Aug 2020 – Jun 2023
Whistling Woods International · Mumbai, India
Studied game design across India and the U.S.
Graphic Software Developer (Production and Design), CHPC, University of Utah
One of two developers on the live-service Downtown Data Center simulation, owning feature scope, build releases and stakeholder communication. Full time and on site after graduating in May 2025.
Educational Designer & User Researcher, The Rajkumari Ratnavati Girls School
Jaisalmer. On-site playtests with children aged 4 to 7 to validate an educational app.
07 Contact
Hiring a game producer, or want to talk about running a team? My inbox and phones are open. I'm in Delhi (IST), with a U.S. number too.